Greek Tragedy V: Seven Against Thebes, Or Seven Brides for Seven Brothers. Or Seven Champions for Seven Gates for Seven Other Champions In which Everyone Dies. Or not Everyone, but, well, you know…

In this episode we talk about final play in Aeschylus’s Oedipus trilogy, Seven Against Thebes. Discussion Prompts This play is not performed very often because of its place as three of three in the trilogy.  How would you handle this if you were to produce the play today?  How would you handle the ending? What do youContinue reading “Greek Tragedy V: Seven Against Thebes, Or Seven Brides for Seven Brothers. Or Seven Champions for Seven Gates for Seven Other Champions In which Everyone Dies. Or not Everyone, but, well, you know…”

Greek Tragedy IV: The Suppliants, or the Pirates of Penzance, I Mean Argos

In this episode we look at Aeschylus’s The Suppliants.  Not the one written by Euripides.  We’ll get to his later.  We’re still working our way through Aeschylus right now. Discussion Prompts What is your take on this play? How feminist is it?   How should it be treated and performed on the stage today? It’s difficultContinue reading “Greek Tragedy IV: The Suppliants, or the Pirates of Penzance, I Mean Argos”

Greek Tragedy III: The Persians, Or Aeschylus Kicks You When You’re Down (Or Does He?)

In this episode, we begin our study of Aeschylus’s seven surviving plays with The Persians. Here are some thoughts I had for discussion. What do you think about The Persians?   If you were directing this play, how would you handle it?   How sympathetic towards the Persians, or Greeks for that matter, do you think weContinue reading “Greek Tragedy III: The Persians, Or Aeschylus Kicks You When You’re Down (Or Does He?)”

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